The Limits of Interpretation

Download or Read eBook The Limits of Interpretation PDF written by Umberto Eco and published by Indiana University Press. This book was released on 1994 with total page 316 pages. Available in PDF, EPUB and Kindle.

Author	: Umberto Eco
Publisher	: Indiana University Press
Total Pages	: 316
Release	: 1994
ISBN-10	: 0253208696
ISBN-13	: 9780253208699
Rating	: 4/5 (96 Downloads)

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Book Synopsis The Limits of Interpretation by : Umberto Eco

Book excerpt: Presents four theories describing the limits of literary interpretation, challenging "the cancer of uncontrolled interpretation" that diminishes the meaning and the basis of communication. -- Back cover.

The Limits of Interpretation Related Books

Language: en
Pages: 316

The Limits of Interpretation

Authors: Umberto Eco

Categories: Literary Criticism

Type: BOOK - Published: 1994 - Publisher: Indiana University Press

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Presents four theories describing the limits of literary interpretation, challenging "the cancer of uncontrolled interpretation" that diminishes the meaning and

Language: en
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Interpretation and Overinterpretation

Authors: Umberto Eco

Categories: Literary Criticism

Type: BOOK - Published: 1992-03-05 - Publisher: Cambridge University Press

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This book brings together some of the most distinguished figures currently at work in philosophy, literary theory and criticism to debate the limits of interpre

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Serendipities

Authors: Umberto Eco

Categories: Language Arts & Disciplines

Type: BOOK - Published: 1999 - Publisher: Houghton Mifflin Harcourt

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See:

Language: en
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Limits to Interpretation

Authors: Vladimir E. Alexandrov

Categories: Literary Criticism

Type: BOOK - Published: 2004 - Publisher: Univ of Wisconsin Press

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Advocates a broad revision of the academic study of literature, proposing an adaptive, text-specific approach and using Anna Karenina to illustrate this method.

Language: en
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The Limits of Critique

Authors: Rita Felski

Categories: Education

Type: BOOK - Published: 2015-10-20 - Publisher: University of Chicago Press

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Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding so