This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.

In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was ba

'That night Stasia took an oath, swearing to learn the recipe by heart and destroy the paper. And when she was lying in her bed again, recalling the taste with

A parable from Georgia involving a hundred writers, a train, and a month-long trip across Europe.

The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both