This study explores France’s preoccupation with memories of the Second World War through an examination of popular culture and one of its more enduring forms,

In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts sp

This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. I

“Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Time Autumn 1941: In a shabby hotel off the

Rewriting Wrongs: French Crime Fiction and the Palimpsest furthers scholarly research into French crime fiction and, within that broad context, examines the nat