The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, “entangled history�

Modern Balkan history has traditionally been studied by national historians in terms of separate national histories taking place within bounded state territorie

The authors in this volume seek to treat the modern history of the Balkans from a transnational and relational perspective in terms of shared and connected, as

This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. B

Modern Balkan history has traditionally been studied by national historians in terms of separate national histories taking place within bounded state territorie