"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, soci

Criticism on the textual and iconographic construction of the city is extensive, yet the problem of historical change in representations of "the urban" has rece

"This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In